All of the evidence seems to suggest that Leonard Cohen’s fan base had more women than men. Perhaps Leonard’s focus on desire, on wanting rather than having, enhanced his appeal to women. Women featured prominently in Cohen’s life and music – as objects of desire, as muses, as torturers, as partners, bandmates, audiences, and as fans. Cohen’s representations of women’s desire make his songs so appealing to female listeners. Arnet’s title comes from something Cohen said in 1968: “I wish the women would hurry up and take over … I really am for the matriarchy.” His songs express this point by giving us female characters who have agency. Numerous great women artists, from Judy Collins to Nina Simone to Tori Amos, have recorded Cohen’s songs and in various ways made them their own.