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The rich, long history of scale as the imaginative inhabitation of a drawing provides a critique of the seductive but illusory exactness of ‘full scale’ representations in CAD.
A new means of representing architecture digitally, derived partly from historical techniques of quadratura and photogrammetry, is described and explained through words and diagrams.
Flexibility in housing design has social, economic and environmental advantages and yet is currently often ignored. The first of two papers sets out the history of this issue.
A house built by physician Willem van der Heyden in 1891 was a remarkable precursor of contemporary building services and construction technologies, and of Modern architecture.
Architectural debates of the 1950s – particularly between ‘empirical’ and ‘formal’ strands of Modernism – are highlighted by a study of the architectural projects, biography and milieu of Colin St John Wilson.
A study of Renaissance debates surrounding disegno reveals much about how twentieth-century design practices envisage the mutual relationship of imagination, drawing and design.
Drawings are often accorded intellectual status in architecture while models are associated with the material. A levitating model reappraises assumptions about materiality.