This experimental article claims that relatively recent trends in Western philosophy provide a much more open approach to philosophies originating in nonwestern traditions, including the Chinese, than found in most mainstream Western philosophy. More specifically, I argue that a slightly modified version of Jacques Derrida's concept of différance offers a hermeneutic parallel to native Chinese philosophical approaches to interpretation. These converge in the view that Western and Chinese philosophies cannot be reduced to the other in conceptual terms and that a finalized meaning or interpretation of each is a priori unattainable, thus providing a future opening for – and even integration of – a Chinese-Western dialogue in global philosophy and ethics.

This paper considers Western approaches at different time periods to Chinese landscape painting, with a focus on the eleventh century Chinese painter Guo Xi's Essay on landscape painting. First, brief information will be given about the artist and his work. A brief scrutiny of a review published in 1936 will show how the Essay became influential in the West. Later publications, which appeared in 1969, 2007, and 2009 respectively, will show some changes in Western approaches to Chinese landscape painting, revealing the main rhetoric of their times along with changing debates and approaches within Western art history.

This article explores how Chinese Daoist thought can address the need of an ethics that can cope with “the Anthropocene.” It explores the similarities between Daoist thought and posthumanist theories which arose partially as a response to the challenges of the Anthropocene. And it examines how Daoist thought can radicalize posthumanist thinking by means of an ethics based on a genuinely flat ontology that treats all things, human and nonhuman, as equal.

In the third decade of the twenty-first century, the world is witnessing rapid changes in every field, and this refers not only to the accelerated pace of technological developments, social changes, economic booms and crashes, etc. but also to a major transformation in the international system from the post-1945 liberal international structure under the hegemonic stability provided by the United States to one that is marked with a larger number of major actors who do not necessarily subscribe to the tenets of free markets and electoral democracy. In this rapidly transforming world, efforts made by the scholarly inquiry of international relations fail to keep up with the speed of the empirical change. This paper asserts that the main reason of this shortcoming of the IR as a discipline is its lack of pluralism, meaning that mainstream IR theories continue to reflect Western viewpoints and interests while at the same time ignoring alternative, non-Western theories to large extent. This paper's argument is that such alternative IR theories and approaches have to emerge and reinforce the Western-centric mainstream so that the discipline can be in a better position to explain international change, as a multi-actor process cannot be adequately explained through the lens of one single actor. The potential offered by Chinese IR theory making is discussed within this context on the grounds that as China is one of the main proponents of change at the international level, Chinese perspectives produced through Chinese geocultural reference points are needed not to replace but to complement Western narratives in order to explain the change at the global level.

This brief essay aims to interpret the fourth chapter “In the Human World” of Zhuangzi by analyzing the seven fables in philosophical terms. The seven fables can be divided into two groups: the first three are concerned with how to be useful (youyong zhi yong 有用之用); the following four with “the use of the useless” (wuyong zhi yong 无用之用). From those two groups of fables, two different ways of life are identified in relation to the world. Zhuangzi's choice between them can be revealed in light of his art of speaking.

The appreciation, conservation, and reconstruction of ruins, deteriorating buildings, and archaeological sites of historical, religious or cultural value, as well as their safeguarding, lead to a complex set of issues and considerations. This brief paper suggests that a deeper understanding of the various models of heritage management can enhance acceptance of the different practices of heritage care. The fragility of heritage sites and of heritage models urges us to look for viable answers to global ethical and aesthetic questions regarding the management of heritage sites.

This article examines various positions on whether children should be allowed to play in late imperial China. Demonstrating distinctly different views from Neo-Confucian thinkers, professional genre painters of “Children at Play” (yingxi tu 嬰戲圖), and the emerging pediatric specialists, the article maintains that clearly multi-vocal forces coexisted during the Song Dynasty, including a persuasive child-favoring stance that remains unique in global humanities on this issue.

This essay briefly explores the phenomenon of nepantla in three representative cross-cultural encounters, in both initial and later phases: Spain-Latin America, England-India, and the West-Japan. Nepantla is a mode of in-betweenness rooted in the historical encounter between cultures and leading to mediation of various kinds. For Latin America, the essay focuses on Columbus, the Cortés-Moctezuma encounter, the Aztec-Franciscan dialogues of 1524, Gabriel García Márquez, and Mario Vargas Llosa. For India, the essay comments on the East India Company, English education in India, Lord Macaulay, Dean Mahomet, Rabindranath Tagore, Salman Rushdie, V.S. Naipaul, and a number of other writers from the early, mid and late twentieth century. For Japan, the essay considers, first, Japanese reactions to missionary activities in the sixteenth century, then the opening up of Japan in the nineteenth century, the Meiji Restoration and its literature, and in particular authors like Fukuzawa, Sōseki, Endō, Kawabata, and Ōe. The essay argues, finally, that nepantla is a useful and dynamic approach to intercultural encounters that complements approaches indicated by terms like colonialism, imperialism, contact zones, hybridity or métissage, liminality, de-colonization, or post-coloniality.

In the study of Chinese thought, the products of the Han dynasty have historically been identified as those most antithetical to Western rationalism. In many of these narratives, the commentarial tradition and systems of complementary yin and yang receive the most attention. The present work draws on Mawangdui texts (Guan, Cheng, and Cixiong jie), the writings of Dong Zhongshu, the Huainanzi, and ultimately Heshanggong's Commentary on the Daodejing to complexify this view. Within these examples one discovers divergent philosophies of opposites and yin and yang that confound the notion of a monolithic and solely holistic Han cosmology. Ultimately, this paper seeks to promote Heshanggong's Commentary as an exemplar of Eastern Han Daoist yin-yang theory that subdivides these two principles into mode and substance. Such an interpretive move explains the commentary's valorization of yin modes (non-action, weakness) but not yin substances (cold, corpses), and yang substances (spirit, essential qi, living beings) but not yang modes (action, aggression, violence). Furthermore, this approach unveils new insights about the relationship of the Dao and Heaven, the history of Daoism, and the varieties of correlative cosmologies in the Han.

‘Social and Cultural Innovation’ is a syntagma that is receiving increased usage among researchers since it was the title chosen by the European Strategy Forum Research Infrastructures for the working group that deals with research infrastructures primarily connected with Social Sciences and the Humanities. Innovation refers to the creation of new products and services by bringing a new idea to the market. Economic growth turns on infrastructures, which provide access to services and knowledge, e.g. by overcoming the digital divide. The current migrant and refugee crisis has made it clear with extraordinary effectiveness that a most urgent objective is to work out policies of social and cultural innovation to the advantage of new citizens – policies that will make them feel welcome in full dignity.