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Spectacular Suffering: Holocaust Representation in Competition Dance – CORRIGENDUM

Published online by Cambridge University Press:  26 October 2026

Rebecca Rossen
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Abstract

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Information

Type
Corrigendum
Information
Dance Research Journal , Volume 57 , Issue 3 , December 2025 , pp. 279
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0), which permits non-commercial re-use, distribution, and reproduction in any medium, provided that no alterations are made and the original article is properly cited. The written permission of Cambridge University Press must be obtained prior to any commercial use and/or adaptation of the article.
Copyright
© The Author(s), 2026. Published by Cambridge University Press on behalf of Dance Studies Association

There was an unintended omission in Rebecca Rossen’s article, “Spectacular Suffering: Holocaust Representation in Competition Dance,” vol. 56, Issue 2–3 (August 2024), 180–199. The title of this essay is an homage to Vivian Patraka’s Spectacular Suffering: Theatre, Fascism, and the Holocaust (Bloomington: Indiana University Press, 1999) and her observation that, like horror genres, mass representations of the Holocaust can draw upon spectacles of atrocity for entertainment (87).

References

Rossen, R. 2024. “Spectacular Suffering: Holocaust Representation in Competition Dance.” Dance Research Journal 56 (2–3): 180–199. https://doi.org/10.1017/S0149767724000135CrossRefGoogle Scholar