Hostname: page-component-7b7567c8c-lpg2g Total loading time: 0 Render date: 2026-11-15T13:23:38.605Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  02 August 2019

Abstract

An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button.

Information

Type
Books Received
Information
Theatre Research International , Volume 44 , Issue 2 , July 2019, pp. 224 - 225
Copyright
Copyright © International Federation for Theatre Research 2019 

  • Barnard, Philip and Shaughnessy, Nicola, eds., Performing Psychologies: Imagination, Creativity and Dramas of the Mind. London and New York: Bloomsbury, 2019. Pp. 246 + 11 illus. £75/$102 Hb.

  • Bean, Anne, Self Etc. London and Bristol: LADA and Intellect, 2018. Pp. 335. £25 Pb.

  • Bessell, Jaq, Shakespeare in Action: 30 Theatre Makers on Their Practice. London: Bloomsbury and The Arden Shakespeare, 2019. Pp. 212. £18.99/$25.95 Pb.

  • Bleeker, Maaike, Kear, Adrian, Kelleher, Joe and Roms, Heike, eds., Thinking through Theatre and Performance. London and New York: Bloomsbury, 2019. Pp. 321 + 30 illus. £24.99/$33.95 Pb.

  • Brecht, Bertolt, Brecht and the Writer's Workshop: Fatzer and Other Dramatic Projects. London and New York: Bloomsbury, 2019. Pp. 391 + 4 illus. £28.06/$32.35 Pb.

  • Bredeson, Kate, Occupying the State: The Theater of May ’68. Evanston, IL: Northwestern University Press, 2018. Pp. 224. $34.95 Pb.

  • Camilleri, Frank, Performer Training Reconfigured: Post-psychophysical Perspectives for the Twenty-First Century. London and New York: Bloomsbury, 2019. Pp. 257 + 2 illus. £67.50/$102 Hb.

  • Chambers-Leston, Joshua, After the Party: A Manifesto for a Queer of Color Life. New York: New York University Press, 2018. Pp. 336 + 44 illus. $30 Pb.

  • Dresner, Daniel, A Life Coach Approach to Screen Acting. London and New York: Bloomsbury, 2019. Pp. 159. £19.19/$26.96 Pb.

  • El Guindi, Yussef, The Selected Works of Yussef El Guindi. London and New York: Bloomsbury, 2019. Pp. 322. £27.99/$37.95 Pb.

  • Ewan, Vanessa and Sagovsky, Kate, Laban's Efforts in Action: A Movement Handbook for Actors. London and New York: Bloomsbury, 2019. Pp. 288 + 33 illus. £32.38/$36.86 Pb.

  • Gindt, Dirk, Tennessee Williams in Sweden and France, 1945–1964: Cultural Translations, Sexual Anxieties and Racial Fantasies. London: Methuen Drama, 2019. Pp. 276 + 30 illus. £67.50/$102 Hb.

  • Harrison, Stephen, Kenward, Claire, Macintosh, Fiona and Mcconnell, Justine, eds., Epic Performances: From the Middle Ages into the Twenty-First Century. Oxford: Oxford University Press, 2018. Pp. 643 + 38 illus. £110 Hb.

  • Haydon, Christopher, Conversations with Leading Practitioners: The Art of the Artistic Director. London and New York: Bloomsbury, 2019. Pp. 186. £21.99/$29.95 Pb.

  • Hesmondhalgh, Julie, A Working Diary. London and New York: Bloomsbury, 2019. Pp. 206. £18.99/$25.95 Pb.

  • Hutchinson, Yvette and Jehta, Amy, eds., Contemporary Plays by African Women. London and New York: Bloomsbury, 2019. Pp. 338. £24.99/$33.95 Pb.

  • Hutchinson, Yvette and Okoye, Chukwuma, eds., African Theatre: Contemporary Dance. Rochester, NY: James Currey, 2018. Pp. 239 + 20 illus. $99 Hb.

  • Jackson, Russell, Shakespeare in the Theatre: Trevor Nunn. London and New York: Bloomsbury, 2019. Pp. 248 + 7 illus. £67.50/$102 Hb.

  • Johnson, Odai, Ruins: Classical Theatre and Broken Memory. Ann Arbor: University of Michigan Press, 2018. Pp. 348 + 12 illus. $85 Hb.

  • Jones, Chris, Rise Up! Broadway and American Society from ‘Angels in America’ to ‘Hamilton’. London and New York: Bloomsbury, 2019. Pp. 226. £17.99/$24.95 Pb.

  • Jordan, Eamonn, The Theatre and Films of Conor McPherson: Conspicuous Communities. London and New York: Bloomsbury, 2019. Pp. 229. £75/$102 Hb.

  • Karim-Cooper, Farah, Titus Andronicus: The State of Play. London and New York: Bloomsbury, 2019. Pp. 277. £75/$102 Hb.

  • Kirwan, Peter, Shakespeare in the Theatre: Cheek by Jowl. London: Bloomsbury and The Arden Shakespeare, 2019. Pp. 217 + 6 illus. £67.50/$102 Hb.

  • Kondo, Dorinne, Worldmaking: Race, Performance, and the Work of Creativity. Durham, NC: Duke University Press, 2018. Pp. 376 + 8 illus. $27.95 Pb; $104.95 Hb.

  • Lonergan, Patrick, Irish Theatre and Drama since 1950. London and New York: Bloomsbury, 2019. Pp. 263 + 11 illus. £19.99/$26.95 Hb.

  • Mckowen, Peggy and Herendeen, Ed, eds., Plays by Women from the Contemporary American Theater Festival at Shepherd University. London and New York: Bloomsbury, 2019. Pp. 326. £21.99/$29.95 Pb.

  • Marsden, Samantha, 100 Acting Exercises for 8–12 Year Olds. London and New York: Bloomsbury, 2019. Pp. 166. £15.99/$21.95 Pb.

  • Nevitt, Marcus and Pollard, Tanya, eds., Reader in Tragedy: An Anthology of Classical Criticism to Contemporary Theory. London: Methuen Drama, 2019. Pp. 346. £29.99/$36.86 Pb.

  • Ney, Charles, Directing Shakespeare in America: Historical Perspectives. London and New York: The Arden Shakespeare, 2019. Pp. 238 + 12 illus. 64.80/$91.80 Hb.

  • Powers, Melinda, Diversifying Greek Tragedy on the Contemporary US Stage. Oxford: Oxford University Press, 2018. Pp. 230 + 23 illus. £60 Hb.

  • Rae, Paul, Real Theatre: Essays in Experience. Cambridge: Cambridge University Press, 2019. Pp. 235 + 11 illus. $99 Hb.

  • Reynolds, James, Robert Lepage/Ex Machina: Revolutions in Theatrical Space. London and New York: Bloomsbury, 2019. Pp. 240. £75/$102 Hb.

  • Robert, Yann, Dramatic Justice: Trial by Theater in the Age of the French Revolution. Philadelphia: University of Pennsylvania Press, 2019. Pp. 304. $79.95 Hb.

  • Rodgers, Amy J., A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England. Philadelphia: University of Pennsylvania Press, 2018. Pp. 204 + 2 illus. $69.95 Hb.

  • Rushe, Sinéad, Michael Chekhov's Acting Technique: A Practitioner's Guide. London and New York: Bloomsbury, 2019. Pp. 337. £21.99/$29.95 Pb.

  • Santana, Analola, Freak Performances: Dissidence in Latin American Theater. Ann Arbor: University of Michigan Press, 2018. Pp. 256 + 22 illus. $75 Hb; $29.95 Pb.

  • Seeff, Adele, South Africa's Shakespeare and the Language of Identity. Cham: Palgrave Macmillan, 2018. Pp. 241 + 2 illus. $99.99/€93.59 Hb.

  • Solga, Kim, Theory for Theatre Studies: Space. London and New York: Bloomsbury, 2019. Pp. 184. £12.99/$19.95 Pb.