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Visual Attention in Crisis

Published online by Cambridge University Press:  03 May 2024

Ruth Rosenholtz*
Affiliation:
Department of Brain & Cognitive Sciences, CSAIL, Massachusetts Institute of Technology, USA rruth@mit.edu
*
Corresponding author: Ruth Rosenholtz; Email: rruth@mit.edu
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Short abstract

Recent research on peripheral vision has led to a paradigm-shifting conclusion: vision science as a field must rethink visual attention. This article reviews the evidence for a crisis in attention science and examines supposedly attentional phenomena to ask which point to additional capacity limits. Based on the resulting list of critical phenomena, and what they have in common, I propose an alternative way to think about capacity limits and the underlying mechanisms.

Information

Type
Target Article
Copyright
© The Author(s), 2024. Published by Cambridge University Press
Figure 0

Figure 1. A subset of the mechanisms in attention theory (boxes, and green text), along with phenomena supposedly explained by those mechanisms (blue text). See, e.g. Chun et al. (2011) for a fuller account.

Figure 1

Figure 2. (A) Original image, fixation at center. (B) Two visualizations of the information available at a glance, according to our model of peripheral vision.

Figure 2

Figure 3. Example stimulus patches from three classic search conditions (top row, target specified at top). Akin to the demonstration in Figure 2, here one can use the texture analysis/synthesis model of Portilla and Simoncelli to visualize the information encoded by the model summary statistics (bottom two rows). The summary statistics capture the presence (column 1, row 2) or absence (row 3) of a uniquely tilted line. However, the information is insufficient to correctly represent the conjunction of color and orientation, producing an illusory white vertical from a target absent patch (column 2, row 3). For T among L search, no clear T appears in the target-present synthesis (column 3, row 2), whereas several appear in the target absent (row 3); this ambiguity predicts difficult search.

Figure 3

Figure 4. (A) Search and dual-task paradigms give different answers about what tasks do and do not require attention. Understanding peripheral vision resolves this conundrum by more parsimoniously explaining search, and (B) noting that search displays are often more crowded than dual-task displays. Tasks circled in gray (blue) are behaviorally or theoretically easy (hard) for peripheral vision in dual-task displays. Table adapted from VanRullen et al. (2004).

Figure 4

Figure 5. Understanding peripheral vision necessitates rethinking a significant amount of attention theory, including preattentive processing and selective attention mechanisms as well as the need for attention for binding and to perceive details (red X’s).

Figure 5

Figure 6. Object-based attention. (A) Experimental methodology. The experimenter cues one end of an object. After a delay (here, 100 ms), a target randomly appears either at the same location, the opposite end of the same object, or the equidistant location on the other object. Results often show a small (∼10 ms) same-object benefit in the invalid conditions. (B) Object-based attention with a single object. Observers are faster to make judgments about the target (circle) when the object between it and the cue (+) is simple (left) than when it is complex (right). Based on stimuli from Chen et al., 2020.

Figure 6

Figure 7. Mental marking tasks. (A) Is there a path between the dot and “x”? (B) Do the two dots appear on the same line? (C) Does the dot lie within the closed curve? (D) What shape do the red dots form? (E) Multiple object tracking. (F) Bistable Necker cube. Reddish glow shows loci of attention described in the text.

Figure 7

Figure 8. (A) Perhaps the gist of a scene is defined by the scenes the observer can discriminate from that scene (red) as opposed to those confused with it (gray). (B) When judging whether pedestrians are near (green outline) or far (yellow outline), the visual system might still get the gist, discriminating the current scene (gray) from others (red), albeit more coarsely than in (A).