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Is coding a relevant metaphor for the brain?

Published online by Cambridge University Press:  16 July 2018

Romain Brette*
Affiliation:
Institut de la Vision, Université Pierre-and-Marie-Curie 06, Sorbonne Universités, INSERM, CNRS, 75012Paris, Franceromain.brette@inserm.frhttp://romainbrette.fr
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Abstract

“Neural coding” is a popular metaphor in neuroscience, where objective properties of the world are communicated to the brain in the form of spikes. Here I argue that this metaphor is often inappropriate and misleading. First, when neurons are said to encode experimental parameters, the neural code depends on experimental details that are not carried by the coding variable (e.g., the spike count). Thus, the representational power of neural codes is much more limited than generally implied. Second, neural codes carry information only by reference to things with known meaning. In contrast, perceptual systems must build information from relations between sensory signals and actions, forming an internal model. Neural codes are inadequate for this purpose because they are unstructured and therefore unable to represent relations. Third, coding variables are observables tied to the temporality of experiments, whereas spikes are timed actions that mediate coupling in a distributed dynamical system. The coding metaphor tries to fit the dynamic, circular, and distributed causal structure of the brain into a linear chain of transformations between observables, but the two causal structures are incongruent. I conclude that the neural coding metaphor cannot provide a valid basis for theories of brain function, because it is incompatible with both the causal structure of the brain and the representational requirements of cognition.

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Copyright © Cambridge University Press 2019
Figure 0

Figure 1. The coding metaphor. (A) An emitter transmits a message to a receiver in an altered form called “code” (here the Morse code). The receiver knows the correspondence and can reconstruct (“decode”) the original message. (B) In analogy, visual signals are encoded in the spike trains of the optic nerve. The rest of the visual system treats these spike trains as visual information. (C) Implicit structure of the neural coding metaphor (“Y encodes X”). There is correspondence between X and Y. Encoding refers to a causal mechanism from X to Y, and decoding is a theoretical inverse mapping; Y causes changes in the reader (often improperly called “decoding”) and represents X in some sense.

Figure 1

Figure 2. Encoding wavelength of light. (A) Response of a cone to flashed light as a function of wavelength (cartoon), at different intensities (grays). If intensity is fixed, wavelength can be inferred from transduced current. Otherwise, current is not informative about wavelength. (B) In a tuning curve experiment, the coding relation is implied by the experimental design: wavelength is mapped to stimulus, which is transduced into current. (C) If wavelength is only one property of a larger set of stimuli, there might be no coding relation. (D) The relative response of cones with different tunings may provide intensity-invariant information about wavelength.

Figure 2

Figure 3. Encoding sound location. (A) A major cue for sound localization is the interaural time difference (ITD), dR – dL. (B) Number of spikes in response to two binaural tones (950 and 800 Hz) as a function of ITD for the same neuron in the medial superior olive of a cat (digitized from Yin and Chan [1990], Fig. 10). It is possible to infer the ITD from spike count if the experimental configuration (presented tone) is known, not if the sound is a priori unknown. (C) If the organism lived in a world with a single sound played at different ITDs, then the best way to encode ITD would be with a neuron tuned to an ITD outside the range of natural sounds (shaded), so that the selectivity curve is steep inside that range. However, the response of a single neuron is fundamentally ambiguous when sounds are diverse, irrespective of the steepness of the curve (selectivity curve for another sound shown in gray).

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Figure 4. Subjective physics of a fictional iguana. (A) The (blind) iguana listens to sounds produced by the frog, which occasionally jumps to a new position. (B) When there is a sound, the iguana can notice that the acoustical signals at its two ears follow a particular law: SR(t) = SL(t – Δ) for all t. (C) If the iguana can move its head, it can also notice that the delay Δ changes in a lawful way with the proprioceptive signal p. This relation defines the frog's position for the iguana. When a sound is heard, the iguana can infer the frog's position; that is, it can infer how Δ would change if it were to move its head.

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Figure 5. Perceptual scenes are highly structured. For example, there is Paul (person I know), driving a car and wearing a new shirt. Representing this scene by the firing of neural assemblies raises two issues: (1) It may be difficult to split active neurons into the correct assemblies (superposition catastrophe) and, more importantly, (2) the structure of the scene (relations shown by arrows) cannot be represented in this way.

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Figure 6. Neural representation of structure (adapted from Brette 2012). (A) Jeffress’ model of sound localization. The sound arrives at the two ears with delays dL and dR. It is then transduced into spike trains that arrive at a binaural neuron with delays dL and dR. Synchrony occurs when dR – dL = δL – δR, making the neuron fire. (B) Synchrony receptive field. The response of a neuron to a stimulus is described as filtering of the sensory signal S through the receptive field N, followed by spiking. The synchrony receptive field of two neurons A and B with different receptive fields NA and NB is defined as the set of stimuli that elicit synchronous responses in these neurons.

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Figure 7. Spatial cognition in Paramecium, a “swimming neuron.” Paramecium finds a chemical source by switching to a new random direction when concentration decreases.

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Figure 8. Operation of the heart. Atria simultaneously contract, triggered by synchronous firing of excitable cells; then ventricles simultaneously contract, pushing blood into the lungs.

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Figure 9. Causal structure of brain and neural codes. (A) The brain is a distributed dynamical system made of interacting neurons and is coupled to the environment by circular causality. A coding variable is a property of neural activity, which is implicitly assumed to have a causal effect on the brain. (B) Neural codes are linked together and with the world by linear causality.

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Figure 10. The causal structure of the neural coding metaphor is that of dominoes (A), but the causal structure of the brain rather resembles that of a tent (B).