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This essay engages with law and geography in urban Asia by working through the topographies and atmospheres of law and criminal justice in Japan. The places we consider are koban (police boxes) and a legal precinct. Koban stretch across the country; the exemplary legal precinct is in Kasumigaseki, Tokyo, a gateway with mist and haze. The essay develops a set of theoretical thresholds through which to address and work through the atmospheric place-making of law and criminal justice in Tokyo’s urban environments. Our approach to relations between law and geography is situated at the crossroads of jurisprudence and humanities, criminology, and urban studies. Its two key considerations are topography and atmospheres, and place-making and its energies and folds. It is argued that topographic atmospheres of law and criminal justice are jurisdictional exercises. The essay is also an experiment in atmospheric writing.
In this chapter, the exploration of urbanization interactions with global environmental change commences. The chapter begins by defining what a city is. It then explains the physical and biogeochemical feedbacks within the Earth's system, highlighting how changes in these interactions contribute to and shape global environmental change. In this context, the Gaia hypothesis is introduced that views Earth as a self-regulating system in which living organisms, the atmosphere, oceans, and land interact to maintain conditions suitable for life. Considering urbanization within this framework emphasizes how urban processes can influence and be influenced by planetary regulatory mechanisms.
This chapter studies how J.-K Huysmans represented climate control on the scale of the individual – the universe of protagonist Jean des Esseintes – in Against Nature (1884). While French poets such as Théophile Gautier and Stéphane Mallarmé used a climatological vocabulary in reflexively describing the character of decadence, Huysmans formulated an understanding of climate as something always already artificial, always already anthropogenic. Imagining a range of fictional climates – from the distant skies of the South Seas to the rainy colossus of London – the protagonist takes the climatological imagination to the extreme, explicitly fantasising about a decadent Anthropocene in which the planet’s atmosphere becomes a piece of art. Studying how Huysmans’s decadent fiction portrayed climate control as an imaginative faculty, the chapter contends that the author presented a nascent epistemology of anthropogenic climate change, making it into a form of art.
This chapter focuses on increasing flexibility in self- and emotion-patterns, suggesting a process-oriented and patient-oriented perspective on psychopathology and psychotherapy. Such an approach can take into account the notions of affective atmosphere and the importance of external environmental factors, including social processes, in the treatment of psychiatric disorders. The notion of a self-pattern as a dynamical gestalt allows for a systematic approach to understanding and treating such disorders. Specifically, it allows us to zoom in on the affective factors that include emotions, constituted as their own dynamical patterns, to discover the connections among the various features of self-pattern, and the pervasiveness of the affective in everyday life.
This chapter focuses on the connections between sea surfaces, the atmosphere, and outer space. Its upward-oriented perspective to oceanic history traces these connections from early 20th-century visions like the failed idea of floating airports (seadromes), whose horizontal runways were impractical in aquatic conditions, to later orientation changes. Artificial islands served horizontal helicopter take-off and landing, or offshore rocket launches. The chapter argues that these energy-intensive built environments, enabled by the Age of Oil, spatially and sensually marked the emergence of the oceanic Anthropocene. Platform illumination for helicopters operations, rocket launches, and the flares of oil platforms whose radiation is visible from outer space, created massive “light islands” in marine regions, manifesting carbon emissions. Simultaneously, the light island effect turned into a form of placemaking. Light islands became regular offshore destinations and departure points for other vehicles, creating new oceanic equivalents to terrestrial ports, airports, and spaceports. They also indicated the extension of the human habitat to sea surfaces.
Fear-inducing tragedy encompasses the deadly consequences of contaminating the atmosphere, including through nuclear radiation. Theatrical works juxtapose the threat of extinction with the benefits of energy obtained from nuclear, coal and oil power sources as they indicate that the earth’s atmosphere can no longer be regarded as an exploitable resource. The degradation of breathable air is life-threatening for human and nonhuman species alike. The depiction of human-induced contamination from mid twentieth-century theatre encompasses life-threatening atmospheric nuclear bomb testing in the Pacific Ocean region and on mainland Australia. First Nations theatrical performance about nuclear-damaged ecological systems broadens the emotional commons of climate change theatre in which characters confront atmospheric contamination and the threat of annihilation.
This chapter addresses the nightclub as an architectural typology. It will consider what the Italian architect Carlo Caldini, co-designer and owner of Florence’s Space Electronic nightclub (1969–2017), called the nightclub’s ‘inexistent architecture’ - in other words, the importance of sound and light over bricks and mortar in the design of club spaces. This was echoed by the critic Aaron Betsky who described a design of ‘rhythm and light’ (Queer Space, 1997) in his description of New York’s iconic Studio 54. The discussion further considers a range of nightclubs from the late twentieth century including Rome’s Piper club, Florence’s Space Electronic, and Electric Circus, Studio 54, Area, and Palladium in New York. In addition, it brings in other voices from architecture, design and music – including Simon Reynolds’ concept of the ‘affective charge’, to position design and architecture as a key realm in electronic dance music culture.
A framing case study describes the Paris Climate Agreement and the worldwide movement to combat climate change. The chapter then discusses international environmental law. The chapter first discusses important concepts from environmental law, its historical evolution, and major principles. It then describes how states have attempted to protect the environment in the realm of the atmosphere, water, and living resources. Finally, the chapter examines how international environmental law interacts with topics discussed earlier in the book, including: trade, investment, human rights, and armed conflict.
Modern research has produced computer climate models that are based largely on weather-prediction models. Climate models, however, include simulations of the ocean and land surface and other components of the climate system, as well as the atmosphere. Climate models are also allowed to run for a longer simulated time, several months or even years, instead of the few days needed to produce a weather forecast. This variation in time scales is one of the fundamental differences between climate and weather. Climate modeling is computer simulation of a high order. We can change a number in the computer program and make the Earth spin faster or backwards, we can turn off the Sun, we can make the seasons disappear, or we can change atmospheric carbon dioxide. Of course, we are doing all this with a make-believe or virtual Earth. Climate modeling by computer simulation is an exciting area of research. It can provide valuable insights into how the climate system works. However, the results are approximate solutions of the climate problem, not exact depictions.
Here we begin fluid dynamics with the science of fluids at rest. This includes planetary science aspects of atmospheric and oceanic pressure, the forced and free vortex. Here also are introduced the three basic differential operators: grad, div and curl, which will be used throughout the book.
This essay explores the Danish concept of hygge, commonly glossed as “coziness,” as a structure of feeling attuned to particular qualities of light. It draws from an ethnographic study of Copenhagen Municipality’s Climate Plan to build the world’s first carbon-neutral capital. Homing in on one of the Climate Plan’s inaugural initiatives—the LED (light-emitting diode) conversion of street lighting—it tracks how ambient intensities of hygge are swept up with both changing lightscapes and changing national demographics. Via a semiotics of social difference, I examine how changing qualities of artificial light are experienced as eroding culturally configured sensory comforts, and how this erosion is grafted onto a fear of the city’s potentially diminishing “Danishness.” This semiotic process is evidenced in the lamination of racialized anxieties about “non-Western immigrants” onto discomforts derived from energy-efficient lighting technologies, and the apparent intrusion of both into habit worlds of hygge. In Copenhagen, I show how a semiotic account of atmosphere illuminates the fault lines of the Danish racial imagination.
The study explores the vertical stratification of microbial diversity and metabolic potential in Earth’s lower atmosphere. Using 16S rRNA sequencing data spanning the planetary boundary layer to the lower stratosphere, we conducted taxonomic profiling and metabolic pathways predictions. The aim was to elucidate microbial community dynamics and their ecological roles under diverse atmospheric conditions. Methods: 51 Publicly available datasets with 3584 samples were retrieved from repositories such as Sequencing Read Archive and European Nucleotide Archive, filtered for studies employing 16S rRNA sequencing. Quality control was performed using FastQC and Trimmomatic, followed by taxonomic classification with Qiime2 and the Silva132 database. Functional pathway predictions were derived using PICRUSt2, and statistical analyses included Kruskal-Wallis tests for diversity comparisons and Mann-Whitney U tests for pathway activity. Results: Microbial diversity decreased with altitude, with the Surface Layer exhibiting the highest Shannon diversity and the significantly decreased in Low Stratosphere. Taxonomic composition shifted along the elevation gradient, with Actinobacteria and Alphaproteobacteria predominant at lower altitudes. In contrast, Bacilli and Gammaproteobacteria became more dominant at higher elevations, though they maintained a notable presence at lower sites as well. Functional analysis revealed altitude-specific adaptations, including significant upregulation of CO2 fixation pathways in the Free Troposphere Transition Layer and secondary metabolite biosynthesis in the lower stratosphere. Discussion: These findings reveal distinct microbial metabolic profiles across atmospheric layers with varying conditions such as oxygen levels, UV radiation, and nutrient availability. While these differences may represent adaptive strategies, they could also reflect source environment characteristics or selective transport processes. The conserved metabolic pathways across altitude layers suggest functional resilience despite taxonomic divergence. These results have implications for astrobiology, providing analogs for microbial life in extraterrestrial environments like Mars or Europa. In summary, this study advances our understanding of aerobiomes’ ecological roles and their potential as models for life detection in extreme environments, bridging atmospheric microbiology with astrobiological exploration.
Based on present knowledge of atmospheric composition, a mechanism for the natural formation of vesicles in the lakes of Titan is proposed. It involves precipitation-induced spray droplets coated by a monolayer of amphiphiles. On interaction with the monolayer on the lake’s surface, bilayer membranes are being formed that encapsulate the liquid phase of the original droplet. The resulting vesicles develop thermodynamic stability by continuous compositional selection of various types of amphiphiles in a dynamic equilibrium, leading to an optimized vesicle stability. Different populations of stable vesicles may compete, initiating a long-term evolution process that could eventually result in primitive protocells. The existence of any type of vesicles on Titan would prove that early steps towards increasing order and complexity have taken place, which represent the necessary precondition for abiogenesis. A valid analytical approach could involve a laser device with combined light scattering analysis and surface enhanced Raman spectroscopy. It would allow for very sensitive detection of amphiphiles as well as for the observation of dispersed vesicles.
The radiocarbon (14C) specific activity was measured in vegetation and atmosphere in Ramnicu Valcea, Romania. On the sampling location operates a nuclear installation, namely “Experimental Pilot for Separation of Tritium and Deuterium” (PESTD), a semi-industrial installation designed for the detritiation of heavy water moderator of CANDU reactors and a 315 MW coal-fired thermoelectric power plant. Because one of the important releases of PESTD is gaseous radioactive effluent, the baseline of radiocarbon was a must for the environmental program. On the other hand, due to the Suess effect, a relative decrease of the radiocarbon-specific activity on a local scale is expected as a result of the dilution of the carbon isotopic mixture by fossil carbon. All the measurements were done by liquid scintillation counting and direct absorption method. It can be observed that the specific activity of 14C was similar for both types of samples investigated. The variations encountered are generally within the limit of uncertainty associated with the 14C. The average radiocarbon-specific activity recorded has the following values: 0.226 ± 0.016 Bq/gC for the vegetation and 0.228 ± 0.016 Bq/gC for the atmosphere. The results have a clear decreasing trend, but due to local influence caused by the continuous production of fossil CO2, cannot be observed 14C seasonal variations. A strong correlation between radiocarbon activity in air and vegetation was highlighted.
Catherine Peters discusses how writers such as the Cuban poet Juan Francisco Manzano reworked the Romantic trope of the revolutionary “common wind” to forge kinship networks among forcibly displaced peoples. In formulating this argument, Peters shifts the conventional focus on the French Revolution as the hub of radical Romantic thought to the Haitian Revolution, where “fraternité” refers not to an abstract ideal but a very real desire to reconstitute those family relations disrupted by the institution of slavery.
As some of the most intensively devoted football fans in Germany, ultras coordinate crowd atmosphere in the arena to support their respective clubs on the field while actively positioning themselves against sport’s governing bodies, whom they see as corrupted by the strategies used to transform professional football from a game into a capitalist industry. Focusing on travel and transportation as a key feature of hardcore fandom, I examine the relationship between ultras’ activities in transit to games and their congregation in public spaces (on the streets, on trains, at rest stops, in stadia), in which quotidian ambience is often hijacked and repurposed as an estranged form of public address. I focus on the dynamic ways that ultras move through space as a means of charting the stages in which fan scenes become crowds, and crowds are mobilized as a means of protesting against the alienating dynamics of modern football, the contrasting stylistics of which result in divergent outsider interpretations and reactions from the state, the German Football Association (DFB), the media, and onlookers confronted by ultras’ public transgressions. Through the fan scene’s ability to coordinate movement and heighten bodily capacity, varied expressions of antisocial behavior become a means of harnessing fans’ own disaffection in a way that reclaims public space as it conjures a heightened emotive environment.
The first half of this short paper provides a brief introductory overview of methods to aid astronomical site testing, characterization and selection. In the second half, we describe how some of these methodologies have been applied in the search for an optical astronomical site in Kenya over the past decade.
Life as we know it requires the presence of liquid water and the availability of nutrients, which are mainly based on the elements C, H, N, O, P and S (CHNOPS) and trace metal micronutrients. We aim to understand the presence of these nutrients within atmospheres that show the presence of water cloud condensates, potentially allowing the existence of aerial biospheres. In this paper, we introduce a framework of nutrient availability levels based on the presence of water condensates and the chemical state of the CHNOPS elements. These nutrient availability levels are applied to a set of atmospheric models based on different planetary surface compositions resulting in a range of atmospheric compositions. The atmospheric model is a bottom-to-top equilibrium chemistry atmospheric model which includes the atmosphere–crust interaction and the element depletion due to the formation of clouds. While the reduced forms of CNS are present at the water cloud base for most atmospheric compositions, P and metals are lacking. This indicates the potential bio-availability of CNS, while P and metals are limiting factors for aerial biospheres.