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    • Edited by Ravi Sundaram, Centre for the Study of Developing Societies, New Delhi, India
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  • Open Access
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  • Publisher:
    Cambridge University Press
    ISBN:
    9781009597708
    9781009597685
    9781009597715
    Open access funder:
    German Federal Ministry of Research, Technology and Space
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC Creative Common License - ND
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    0.5kg, 267 Pages
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    267 Pages
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Book description

This collection frames a theory of twenty-first century media in a world where the vast majority of internet users reside in Asia, Africa, and Latin America. The COVID-19 pandemic dramatised a complex set of technological infrastructures that now shape life in pragmatic and exceptional ways. Cognition, public affect, memory, and the experience of the political have been radically transformed with twenty-first century media networks. Acts of violence become media spectacles in network spaces. Questions of media aesthetics and political affect have taken centre stage in an expanded digital sensorium. This volume revisits and pushes beyond older questions of social and cultural theory and the metamorphoses of the political in this century. Moving beyond classical critical theory, it brings together scholars from media studies, anthropology, cinema, and contemporary art, and provides a comparative landscape and turbulent futures of media aesthetics. This title is also available as open access on Cambridge Core.

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Contents

Full book PDF
  • Frontmatter
    pp i-viii
  • Contents
    pp ix-x
  • List of Figures
    pp xi-xiv
  • Acknowledgements
    pp xv-xvi
  • Introduction: Archaeologies of Twenty-First-Century Media
    pp 1-23
  • 1 - Bellies and Beasts: On Critical Media Studies
    pp 24-42
  • 2 - Apprehending Air-Breath: A Post-COVID Political Aesthetic
    pp 43-67
  • 3 - Screenshots, Networked Images, and Political Events
    pp 68-92
  • 4 - The Moment of Violence in an Age of Mass Forensics
    pp 93-112
  • 7 - Crying as Political Spectacle: Mythopolitics, Melodrama, and Media
    pp 172-206
  • 8 - Ten Theses on Celluloid
    pp 207-241
  • About the Contributors
    pp 242-244
  • Index
    pp 245-251

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