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Scholars agree that the turning point in the global history of the night occurred when public illumination enabled the expansion of daytime activities after dark. In the case of Japan, the modern transformation of the night is commonly associated with the Meiji era, when gas lamps and Western-style lighthouses were introduced. Because Tokugawa Japan lacked any kind of public illumination, it is an unlikely candidate for inclusion in a global history of the transforming night. This technological bias can be corrected with a history of everyday (and everynight) life. An array of early modern sources indeed reveals that many of the features associated with the global transformation of the night – regulation, production, consumption, fantasy, and sociability – were in fact firmly in place in Japan before the age of public illumination. A journey into early modern Japan after dark complicates the parameters by which we measure historical change, enriches the history of the global night, and compels us to rethink the ways in which we write history
Laura Nenzi draws readers into a fascinating world of samurai, shipwrecks, nocturnal monsters and partying crowds, in this richly detailed, illustrated and evocative history of the night. The world over, the installation of public lights transformed the night, reshaping expressions of authority; altering centuries-old forms of production and consumption; and enabling the expansion of legitimate daytime activities into the night hours. The cities of Tokugawa Japan, however, lacked any kind of public illumination until the late nineteenth century. Nonetheless, Nenzi shows, many of the attributes associated with the modern night were firmly in place in cities and villages well before the age of streetlights. This exploration of the transformation of early modern Japan after dark challenges accepted definitions of modernity, encouraging readers to rethink the way we write history.
The introduction covers the state of modernist studies within Arabic, Persian, and Turkish literatures today, with reference to broader scholarship on global, transnational, and planetary modernism. It explains the logic behind the seven sections of the book: Adab, Poetry, Prose, Politics, Aesthetics, Easterlies (about connections to Urdu, Russian, and Central Asia), and Comparison. Most extant studies of modernism and modernity in the field focus on singular national contexts in the Middle East in relation to Europe and the Orientalist hangover that the region continues to suffer. Contributors to this volume instead consider instances of modernist connections in Arabic, Persian, and Turkish that exist beyond Western influence and can be traced back through local channels to Arab Islamic turāth (cultural heritage) rather than to literary and artistic encounters with the West. To flesh out the theoretical underpinnings of the volume, the editor discusses major novels and films in relation to time, modernity, modernization, and modernism to begin defining the parameters of the investigations to follow.
In this chapter, the editors of the volume Turkish Literature as World Literature (Bloomsbury 2021) work through the entanglements between modernization and modernism in Turkey in the fashion of a broad survey and present a framework to understand the various modernisms in the literary sphere as they convey the country’s unique dynamics. Alkan and Günay-Erkol discuss how various elements of modernism are utilized, appropriated, and transformed in the context of Turkey and examine how the term “modernist” gains different meanings in relation to modernity’s varying but constant powerful drive toward a radical break from the past. To this end, they first establish the essential premise of Ottoman Turkish modernization. They investigate the historical and cultural circumstances of literary production and the responses and reactions to modernity during this period. The chapter thus elaborates on how “modernist” works differ from the more broadly conceived “modern” ones in order to delineate a space for modernism as a literary mode in Turkey.
This chapter reads the work of experimental poets who emerged in the 1950s in Turkey. The loose poetic movement known as İkinci Yeni (the Second New) was radical in the context of mid-century Turkish letters for its dense language, unusual images, and intentional flouting of conventional grammatical and syntactical rules. When this new style of poetry appeared around 1956, İkinci Yeni gave rise to a vigorous and sometimes vicious debate between its defenders and detractors. In hindsight, the central locus of this conflict can be seen as positions taken for and against aesthetic autonomy, the sine qua non of literary modernism. In order to challenge Eurocentric narratives of modernism that take concepts such as aesthetic autonomy for granted in terms of when and how they appeared, this chapter attends to the ways local histories of capitalist modernization and political developments help shape the appearance of modernist literature in geographies like the Middle East.
This chapter turns to the Persianate tazkirah tradition to show how the shared discourse of literary modernization, with its inherent nationalism and Victorian-influenced puritanism, led modernizers to work together to remake their shared Persianate heritage and create chaste, heteronormative, nationally bounded literary histories. These literary histories, produced as they most often were for modernizing educational institutions, likely not only reflected changing conventions but also played a pedagogical role in spreading them. The generations who began to receive a modern education grew up writing poetry differently under such influences. In this way, the modernizing conventions that were first developed or deployed by literary historians impacted other genres of Persianate literature.
In conversation with recent scholarship which has revised the relevance of the Islamicate adab culture for Middle Eastern modernities, this chapter revisits the history of modern literature in the late Ottoman Empire. Conventionally, Ottoman/Turkish literary modernity is placed within the framework of Tanzimat (reorganization) which refers to a process of state-led politico-economic structural reforms across the empire. As in other kindred political–cultural reawakening periods overshadowed by Eurocentric comparative methodology, modern Ottoman/Turkish literature has largely been characterized as a set of anti-Islamicate gestures whereby the shared Perso-Ottoman literary culture was heavily criticized and rejected. In an attempt to counter this narrative, this chapter advances adab, Sufi poetics, and hermeneutics in particular, as the conceptual infrastructure of Ottoman literary modernity. After establishing how modern Ottoman/Turkish literature embodies hermeneutical practices associated with Sufi poetics, the chapter situates Ottoman literary modernity within an ethical–aesthetical tradition and calls for understanding modernity from the perspective of literary ethics.
Departing from mainstream research on political interest in democratic contexts, this study investigates its evolution in an authoritarian setting. To disentangle temporal dynamics, it applies the age–period–cohort interaction model to repeated cross-sectional data from five waves of nationally representative surveys conducted in China. The results demonstrate distinct effects across age, period, and cohort dimensions. Age effects indicate that younger individuals consistently exhibit lower levels of political interest than older adults. Period effects reveal a downward trend in political interest among the Chinese public between 2002 and 2019. Importantly, cohort effects suggest that, contrary to the linear evolutionary predictions of modernization theory, individuals who underwent political socialization during critical historical periods—such as the Great Famine and its aftermath (1959–1963) and the late Cultural Revolution (1974–1978)—as well as those born in the late 1970s and throughout the 1980s, exhibit heightened political interest. These findings contribute to theoretical reflections on the evolution of political interest.
This chapter begins by outlining the past trends and the present trajectory of employment-related dispute resolution at international organizations. Second, the historic evolution of the statutory basis of administrative tribunals at the United Nations is analysed, suggesting that Member State governance organs are prepared to revise procedures, but are reluctant to address the transparency of employment law at international organizations. Third, and in conclusion – extending this book’s emphasis on concisely and clearly introducing the law – the incorporation of general legal principles of international administrative law into the Statutes of international administrative tribunals is proposed.
This chapter examines the imbrication of late eighteenth- to early nineteenth-century discourses on race and class, and thus of the formations of colonialism and capitalism, both within and beyond England as center of global empire and capital. It performs readings of this imbrication in John Clare’s protestations against land enclosure in Northamptonshire in the Romantic period, and it shows how this nexus in Clare anticipates Palestinian protestations against the dispossession of ancestral land since 1948. In doing so, it juxtaposes resonant moments in connected histories of modernity and modernization that inform the history of global capitalism, which still enacts in many ways the racial antagonisms in Marx’s theory of primitive accumulation.
This chapter continues the discussion of how English came to function as the language of African self-expression in the twentieth century and was ultimately liberated from its colonial legacies. The chapter starts by exploring the so-called language question, a long-running debate on the status and function of the English language in the making of African letters, which has perhaps been the most divisive issue among African writers in the second half of the twentieth century. The debate was not simply a feud on language use but the expression of a deep anxiety about what it has meant to produce a literature of decolonization in the language of the former colonizer. The second part of the chapter provides an account of the evolution and transformation of English in Africa among different social groups including the slave traders of Calabar, Creole elites in West Africa, and the elites produced by the colonial schools and university colleges that produced the first generation of African writers.
The critical study of African literature has had a troubled relationship with different schools of European poststructuralism in general and postcolonial theory in particular. This chapter starts with a critique of the theoretical retreat from modernity that has been a signature gesture of poststructuralism and postcolonial theory since the 1990s. Poststructuralist theory attracted many critics of postcolonial literature at the end of the twentieth century because of its rejection of the universal theories of reason, history, and the human subject associated with modernity. What was the implication of this poststructuralist turn in the criticism of an Africa literary tradition that was bound up with the experience and expectation of modernity? The chapter discusses the tension between the experience and discourse of modernity, postcolonial criticism, and a set of African texts that complicated both modernist and postmodernist discourses. A central concern in this chapter is what happens when we read canonical African literary texts themselves as forms of theoretical intervention.
This chapter explores the European Union’s ongoing efforts to simplify and modernize company law to enhance legal clarity, reduce administrative burdens and support cross-border business activity. It examines key initiatives such as the Company Law Package, digitalization of company processes and the reduction of formalities for corporate operations. The chapter evaluates how these reforms aim to improve competitiveness, foster innovation and align company law with the needs of modern businesses. Challenges related to implementation, legal coherence and Member State diversity are also discussed. Overall, the chapter highlights the shift towards a more efficient, accessible and future-oriented company law framework in the EU.
In the 1900 Paris Exposition Universelle, W. E. B. Du Bois deployed imperially charged terminologies such as “progress,” “nation,” and “civilization,” entangled with racism-imbued linear-progressive historiography. Rather than discounting Du Bois’s usage of these terms as a passive internalization of the imperial episteme, we regard Du Bois’s adoption of these terms (and curation in the exhibition more broadly) as a fruitful avenue for us to consider the methodological, theoretical, and public-sociological implications of using imperially entangled terms. Centering Du Bois’ embeddedness in collaborative epistemic communities and his socio-political context, we read his work for the Paris Exhibition of 1900 as a strategic response to the double crisis of social science and post-Reconstruction Black America. We argue that Du Bois subverted and dislocated the concepts of “progress,” “crisis,” and “nation” from their contemporary decontextualized usage to address grounded problems facing Black people in the United States and undertook this redefinition through his dialogic interactions with Black American and Pan-African activists of his time. With a plethora of images, statistics, books written by Black authors, photographs, and cultural artifacts, he provided a narrative of social development that challenged racial stereotypes and the developmental model favored by empire-states. Today, historical social sciences are also undergoing institutional and epistemological crises. Building on Du Bois’s subversive exhibit and adopting the conceptual framework of “reverse tutelage,” we argue that contemporary historical social scientists should also approach conceptual development and global linkages by being grounded in communities of resistance to grasp and recover radical potentialities.
More than half a century ago Clifford Leech published a useful essay called 'On editing one's first play', intended to 'save newly commissioned editors from a sense of frustration and an expense of time' by providing 'some guiding-lines'. The intervening years have seen massive changes in attitudes towards editing and in the technical expertise required. Neither editor nor reader can any longer be assumed to be white, male and Christian, or trained in the classics and the Bible. Editing is now recognized as a crucial intersection between critical and textual theory. Yet the skills required are not usually taught in graduate schools, and many competent scholars are uncomfortable answering such questions as 'what do editors actually do when they edit an early modern play?' This Element focuses both on the practical steps of editing (e.g. choosing a base text, modernizing, emending, etc.) and the theoretical premises underlying editorial decisions.
At the core of nationalism, the nation has always been defined and celebrated as a fundamentally cultural community. This pioneering cultural history shows how artists and intellectuals since the days of Napoleon have celebrated and taken inspiration from an idealized nationality, and how this in turn has informed and influenced social and political nationalism. The book brings together tell-tale examples from across the entire European continent, from Dublin and Barcelona to Istanbul and Helsinki, and from cultural fields that include literature, painting, music, sports, world fairs and cinema as well as intellectual history. Charismatic Nations offers unique insights into how the unobtrusive soft power of nationally-inspired culture interacts with nationalism as a hard-edged political agenda. It demonstrates how, thanks to its pervasive cultural and 'unpolitical' presence, nationalism can shape-shift between romantic insurgency and nativist populism. This title is also available as Open Access on Cambridge Core.
China’s rapid economic development exerts significant political effects. Modernization theory posits, with an optimistic outlook, that sustained economic growth will foster increasing public demands for political liberalization and democratization. Empirical findings presented in this chapter reveal that a majority of Chinese citizens report heightened satisfaction with their civil liberties and political rights following improvements in their overall well-being. Specifically, life satisfaction in the economic sphere demonstrates a positive spillover effect on satisfaction with civic and political rights. Furthermore, life satisfaction across economic, social, and individual dimensions positively influences the political realm, resulting in inflated satisfaction regarding limited civil and political rights.
The international debate of the shifting bases of philanthropy suggested by modernization theory has been ongoing since the beginning of the twenty-first century, yet empirical evidence remains lacking from the perspective of philanthropic motivation. The society and philanthropy of China have undergone tremendous transformation since the launch of Reform and Opening Up in 1978, providing an ideal context for testing the assumption of the shifting bases of philanthropy. Through investigating the motivation structure of collectivism and individualism behind individual giving in contemporary China, this study rejects the assumption drawing on the data from the China Labor-force Dynamics Survey (CLDS). This study helps deepen the understanding of culture’s roles during modernization. It also has important implications for how charitable giving can be effectively promoted both inside and outside of the context of China.
Most theories of cross-national variation in charitable giving have been tested only on samples of countries of Western European culture; this paper applies these theories to 114 countries, including 93 non-Western countries, using data from the Gallup World Poll. It finds strong support for economic and political theories of cross-national variation in charitable giving and partial support for religious and cultural theories. Theories effectively predict variation in giving in middle income non-Western countries but poorly predict variation in low-income non-Western countries. This suggests that economic development, not cultural or religious differences, separate non-Western countries from Western ones in patterns of giving behavior.
European social enterprises’ participation in the public procurement process is low, even if the European public procurement law allows using special provisions for these entities. Encouraging the participation of social enterprises in the public procurement process is an important part of the effort to modernize the EU social policy. This paper demonstrates that, despite the great importance of social enterprises for the European economy, strategies on the access of social enterprises to the EU’s public procurement market are less known by the employees of the public contracting authorities in EU Member States.