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  • Publisher:
    Cambridge University Press
    Publication date:
    21 November 2024
    28 November 2024
    ISBN:
    9781009371469
    9781009371483
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    0.86kg, 504 Pages
    Dimensions:
    Weight & Pages:
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Book description

Modernist Hellenism argues that engagement with Greek was central to the evolution of modernist poetics throughout the first half of the twentieth century. It shows that Eliot, Pound, and H.D. all turn to Greek literature, and increasingly Greek tragedy, as they attempt to grapple not only with their own evolving poetics but also with changing sociocultural circumstances at large. Revisiting major modernist works from the perspective of each poet's translations and adaptations from Greek, and drawing on archival materials, the book distinguishes Pound and H.D.'s work from Eliot's and argues for the existence of a specifically modernist hellenism (rather than, say, classicizing or idealizing, decadent or heretical), which is personal, politicized, and unconstrained by institutional standards, but also profoundly textual, language-based, and engaged with classical scholarship. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Reviews

‘Modernist Hellenism is a work of impressive industry. The contention that Greek was a central influence on all three poets is supported by a constant stream of data across 460-plus pages of dense argumentation. Most of those pages are devoted to painstaking synchronic and diachronic description, analysis, and interpretation of each poet’s ‘work with Greek’, in long, discursive, detail-heavy chapters replete with texts and intertexts. Herein lies one of the strengths of the book: fleshing out the grand narrative with close reading.’

Simon Perris Source: Translation and Literature

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Contents

Full book PDF
  • Modernist Hellenism
    pp i-ii
  • Modernist Hellenism - Title page
    pp iii-iii
  • Pound, Eliot, H.D., and the Translation of Greece
  • Copyright page
    pp iv-iv
  • Dedication
    pp v-vi
  • Contents
    pp vii-viii
  • Acknowledgments
    pp ix-x
  • Abbreviations
    pp xi-xii
  • Introduction
    pp 1-30
  • Towards a Modernist Hellenism
  • Part I - Hellenists and Modernists
    pp 31-132
  • From Image to Drama
  • Chapter 1 - “The some more vital equation”
    pp 33-80
  • Writing the Image between Hellenism and Modernism
  • Part II - “I don’t want to write it”
    pp 133-244
  • Measuring Greece between the Wars
  • Chapter 3 - “What is Greece if you draw back?”
    pp 135-195
  • Translating Hellenism into Modernism
  • Chapter 4 - “Who fished the murex up?”
    pp 196-244
  • The Distillation of Ion
  • Part III - Tragedy and Translation in Late Modernism
    pp 245-390
  • Chapter 5 - From Agamemnon to Herakles
    pp 247-284
  • Eliot’s Plays and the Four Quartets
  • Chapter 6 - “Now time to go back to an effort of 1912”
    pp 285-326
  • Elektrifying English at St. Elizabeths
  • Chapter 7 - “From the dawn blaze to sunset”
    pp 327-390
  • The Languages of the Image
  • Part IV - The Long Imagist Poem
    pp 391-463
  • Chapter 8 - Pallinodes and Eidola
    pp 393-463
  • “Catching up to the past” in H.D.’s Helen in Egypt
  • Bibliography
    pp 464-481
  • Index
    pp 482-490

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