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Oxytocin as an allostatic agent in the social bonding effects of music

Published online by Cambridge University Press:  30 September 2021

Niels Chr. Hansen
Affiliation:
Aarhus Institute of Advanced Studies, Aarhus University, Høegh-Guldbergs Gade 6B, 8000 Aarhus C, Denmark. nchansen@aias.au.dk; http://www.nielschrhansen.com/ Center for Music in the Brain, Aarhus University & Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark
Peter E. Keller
Affiliation:
The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith, NSW 2751, Australia. p.keller@westernsydney.edu.au; http://pkpublications.weebly.com/

Abstract

Despite acknowledging that musicality evolved to serve multiple adaptive functions in human evolution, Savage et al. promote social bonding to an overarching super-function. Yet, no unifying neurobiological framework is offered. We propose that oxytocin constitutes a socio-allostatic agent whose modulation of sensing, learning, prediction, and behavioral responses with reference to the physical and social environment facilitates music's social bonding effects.

Information

Type
Open Peer Commentary
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press
Figure 0

Figure 1. Overview of how the socio-allostatic effects of oxytocin may contribute to a unifying neurobiological framework for music's adaptive functions. Specifically, music making – which often occurs in social contexts – may lead to oxytocin release that promotes internal adjustment of sensing and response set-points as well as assists learning and prediction processes with reference to the external physical and social environment. These allostatic optimizations may, in turn, increase the efficacy of music's adaptive functions as a facilitator of social cohesion, pair formation, parental bonding, coalition signaling, group coordination, and preservation of communal knowledge and identity. These adaptive functions of music are each associated with specific musical forms employing distinct acoustic features. Such function-to-form associations are, however, statistical (rather than deterministic) as well as highly interconnected in that dance, for example, can contribute to multiple adaptive functions such as cohesion, courtship, coalition, and coordination, depending on the context in which it appears.