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This article contextualizes the unique display of two colossal Roman copies of Hellenistic sculptures at the lavish villa of Herodes Atticus at Loukou, located in Arcadia (Peloponnese, Greece). The estate at Loukou is notable for its extensive decorative program, including elaborate mosaics and a large sculpture collection that juxtaposed bespoke copies of famous works with others that were already antiquities at the time of their display in the 2nd c. CE. Both sculptural compositions discussed here belong to the former category and depict two mythological figures in interlocking arrangements (symplegma). The choice of these two sculptures and their unique display at Loukou reflects the preferences of their patron: the sophist, politician, and cosmopolitan benefactor Herodes Atticus. This paper argues that the two paired colossal groups formed the crux of Herodes’s custom decorative program at Loukou, where he fostered elite discourse around themes of conflict and loss.
An altar-shaped name stamp from the workshop of Avillius was found in a mid-first-century CE context at the site of Podere Marzuolo (Tuscany, Italy). Among the known repertoire of name stamps on Italian terra sigillata, this stamp stands out both in terms of size and complexity.
Recovered from a coastal villa in north-eastern Spain, fragments of a vessel with a snake-headed handle provide insights into religious influences that reached western territories of the Roman Empire. Based on formal comparisons, laboratory analysis and 3D modelling, the authors argue that the iconography links this vessel to the cult of the god Sabazios, the private worship of whom may have spread from the nearby city of Emporiae. This artefact is one of only a few of its kind found in the Iberian Peninsula, though compositional analysis of its paste suggests its origins might not lie in Europe.
The excavations at Liberty Southwark (LDM21) carried out by Museum of London Archaeology (MOLA) have yielded one of the largest assemblages of Roman wall-painted plaster in London. In the assessment and reassembling of the plasters, the building material specialist discovered two inscriptions unique to Roman Britain and likely to the study of Roman wall paintings in general. Pit (423) yielded what looks to be a signature by the painter while (135) produced a near-complete Greek alphabet scored into the plaster. Both inscriptions were analysed in the greater context of the Roman world in which comparisons of similar inscriptions were made.
While modern scholarship defines Etruscan Veii as a symbol of success, it interprets its later transformation into a small Roman town as a failure. Yet both written and archaeological records reveal that Veii’s Roman community invested in urban life, albeit on a smaller scale. This article argues that such developments are better understood through the lens of resilience than through binary categories of ‘success’ and ‘failure’. It invites broader reconsideration of how archaeologists apply these labels—often reflecting modern biases more than past realities—when studying historical settlements.
Incense burners are frequently excavated at Roman period sites, attesting to acts of combustion within domestic ritual practices, but what was burnt is still uncertain. Here, the authors use microscopy and spectrometry to analyse burnt residues contained within two censers from domestic contexts in Pompeii and a nearby villa. Their results indicate that woody plants were burnt in both censers, either as fuel or offerings, alongside stone fruit or laurel plants and possibly wine or grapes, while traces of Burseraceae resins, originating from Asia or sub-Saharan Africa, provide the first archaeological evidence of incense offerings in the Pompeian domestic cult.
How did Jews in the ancient world depict the practices of their pagan contemporaries? In this study, Jesse Mirotznik investigates the portrayal of pagan worship in the Hebrew Bible and ancient Jewish literature. Scholars have assumed that the portrayals in these corpora are consistent over time. Mirotznik, however, shows that there is a fundamental discontinuity between earlier and later depictions of pagan worship. In the Hebrew Bible, these forms of worship are, for the most part, simply assumed to be sincere. By contrast, in ancient Jewish texts from approximately the end of the third century BCE and onward, such worship is increasingly presented as insincere, performed only instrumentally in the service of an ulterior motive. While the worshipers of other gods seem genuine in their devotion, these texts contend, they too must recognize the folly of such worship.
Despite contemporary relevance in understanding how cities historically overcame demographic, social and economic constraints imposed by the lack of clean, fresh water, the value of estimating aqueduct delivery rates and their potential relationship with population size in the Roman Empire remains uncertain. Here, the authors use settlement scaling theory to examine recent statistics for city size and aqueduct capacity, revealing a systematic but sublinear relationship between these variables, whereby water supply increased at a slower rate than population size. Far from merely ostentatious displays of power, aqueducts were carefully planned to ensure an adequate supply of clean and fresh water.
The history of games is obscured by our inability to recognise indicators of play in the archaeological record. Lines incised on a piece of rounded limestone found at the Roman site of Coriovallum in Heerlen, The Netherlands, evoke a board game yet do not reflect the grid of any game known today. Here, the results of use-wear analysis are used to inform artificial intelligence-driven simulations based on permutations of rules from historic Northern European games. Disproportionate wear along specific lines favours the rules of blocking games, potentially extending the time depth and regional use of this game type.
Pauline scholars have misconstrued key features of Paul's portrayal of love by arguing that Paul idealises self-sacrifice and 'altruism'. In antiquity, ideal loving behaviour was intended to construct a relationship of shared selves with shared interests; by contrast, modern ethics has rejected this notion of love and selfhood. In this study, Logan Williams explores Paul's Christology and ethics beyond the egoism-altruism dichotomy. He provides a fresh evaluation of self-giving language in Greek literature and shows that 'gave himself' is not a fixed phrase for self-sacrifice. In Galatians, for example, self-giving languages depict Jesus' love as an act of self-gifting. By re-evaluating the apostle's description of Christ's loving action, Williams demonstrates that Paul portrays Jesus' loving action as his positive participation in the condition of others. He also interrogates the ethics in Galatians and shows that Paul's love-ethics encourage the Galatians not to sacrifice themselves for others but to share themselves with others.
The Roman occupation of England (AD 43–410), characterised by urbanisation and militarisation, is generally understood to have had a negative impact on population health. Yet our understanding of associated socioeconomic changes is hindered by the comparatively limited analysis of inhumations from the preceding Iron Age. Deploying the DOHaD hypothesis, this study examines negative health markers in the skeletons of 274 adult females of childbearing age and 372 non-adults aged below 3.5 years from Iron Age and Roman contexts, revealing the long-lasting negative influence of urbanisation but with a more limited impact in rural communities implying continuation of cultural norms.
Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed.
Regular finds of glassware at Roman sites provide a useful dataset not just for constructing glass typologies but for the comparative analysis of base-glass compositions. Here, the authors explore the form and chemical composition of 79 glass fragments from Khirbet al-Khalde, a strategically important site in southern Jordan that was integrated into a major Roman roadway, the Via Nova Traiana, in the early second century AD. Their findings challenge current models, identifying abundant pre-fourth-century Egyptian glassware in an area believed to be predominantly supplied by Syro-Palestine and providing evidence for continued activity at the site into the eighth century.
Recent excavations on the A14 Cambridge-to-Huntingdon Road Improvement Scheme have revealed that pottery-making was an important aspect of the economies of early Roman rural communities living in the densely settled landscape of southern Cambridgeshire, UK. This paper discusses the seven known ‘Lower Ouse Valley’ pottery-making sites as reflective of local rural economy and social interaction, highlighting the different scales at which there is evidence for social networks being in play in the constitution of this newly discovered pottery industry. It is argued that the density of rural settlement in this area helped facilitate the emergence of a coherent but informally defined ceramic tradition, embodied as a system of technical knowledge shared predominantly between neighbours and as features of non-specialised social interactions.
The Cycladic islands have traditionally been considered as backwaters during the Roman and Late Antique periods. Through analysis of the material culture produced from the late first century BCE through to the seventh century CE, however, Rebecca Sweetman offers a fresh interpretation of Cycladic societies across this diachronic period. She demonstrates that the Cyclades remained vibrant, and that the islands embraced the potential of being part of wider political, economic and religious networks that were enabled as part of the Roman Empire. Sweetman also argues that the Cyclades were at the forefront of key social developments, notably, female social and physical mobility, as well as in the islands' early adoption of Christianity. Drawing on concepts related to Globalization, Christianization, and Resilience, Sweetman's analysis highlights the complex relationships between the islands and their Imperial contexts over time. The gazetteer of archaeological sites will be fundamental for all working on archaeology of the Roman and Late Antique periods as well as those interested in the Mediterranean.
This chapter analyzes the aesthetic strategies of the funerary portraits of ancient Palmyra, examining how their status as relief sculptures – the relationship between the sculpted image and the stone slab that supports it – mediates their messaging. Taking the portrait of a Palmyrene woman in the Kelsey Museum of Archaeology as a starting point, I demonstrate that the purposes of these works cannot be recognized unless their status as a corporate body of relief sculptures is further held in view. I reinsert these portraits into an original tomb context of display, reconstructing the powerful visual effects these works were designed to create when operating together as an ensemble: at once concealing and revealing, affectively engaging and emotionally withdrawn, individual and defined by group dynamics. Palmyrene funerary sculptures emerge as both participating in many of the broader discourses of Greco-Roman artistic production, as well as in a Parthian visual tradition, while ultimately achieving a highly distinctive and semantically complex localized visual impact. The chapter underscores the visual strategies of these reliefs as a creation of the Syrian desert oasis of Palmyra.
Increasing interdisciplinary analysis of geoarchaeological records, including sediment and ice cores, permits finer-scale contextual interpretation of the history of anthropogenic environmental impacts. In an interdisciplinary approach to economic history, the authors examine metal pollutants in a sediment core from the Roman metal-producing centre of Aldborough, North Yorkshire, combining this record with textual and archaeological evidence from the region. Finding that fluctuations in pollution correspond with sociopolitical events, pandemics and recorded trends in British metal production c. AD 1100–1700, the authors extend the analysis to earlier periods that lack written records, providing a new post-Roman economic narrative for northern England.
Roman amphitheatres were centres of public entertainment, hosting various spectacles that often included wild animals. Excavation of a building near the Viminacium amphitheatre in Serbia in 2016 uncovered the fragmentary cranium of a bear. Multistranded analysis, presented here, reveals that the six-year-old male brown bear (Ursus arctos) suffered an impact fracture to the frontal bone, the healing of which was impaired by a secondary infection. Excessive wear to the canine teeth further indicates cage chewing and thus a prolonged period of captivity that makes it likely this bear participated in more than one spectacle at the Viminacium amphitheatre.
The Terra Ferrifera project investigates the landscape and environmental conditions of mass iron production in one of the oldest iron production centres in central Europe: Mazovia, Poland (fourth century BC–fourth century AD). Spatial analyses, settlement pattern studies, prospection, excavation and archaeobotanical analyses provide insights into one of its microregions.
A brooch found in a mid-first-century AD context at the Roman port of Berenike, on the Red Sea coast of Egypt, represents the southernmost find of an Aucissa-type fibula. The item reflects the identity of its wearer, possibly a Roman soldier, for whom it may have held sentimental value.